The spacing and the kerning of the font would not have been possible without Igino Marini from Italy and his superior iKern technology.īroad foreign language support is almost obligatory with such an omnicultural approach. He consulted with Irene Vlachou from Greece, Ilya Ruderman from Russia, Donny Truong from the USA and Paul Hanslow from Australia to ensure the quality of the Greek, Cyrillic, Vietnamese and African Latin characters. While Gergő Kókai from Hungary supported him in the design of the upright characters, he brought Tanya George from India and the Japan-based Gabriel Richter on board to work on the italics.
Just like the primeval continent that the typeface is named after, Pangea is a symbol of not only the big (common) picture but of global cooperation. For Christoph, the connection and connotation of the name was of great importance.
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